By Allison Pitinii DavisBefore him, stickers fade across the bumper:
LAST ONE OUT OF TOWN, TURN OFF THE LIGHTS.
The last employer in Youngstown is the weather:
the truck behind him plows grey snow to the roadside
By Marcos L. MartínezThere are immeasurable ways to count days: on the median the sunflower tracks UV streams: east to west then sleep; an acorn gets weeded out of the common area ‘til another live oak drobs a bomb then sprouts till, yanked away again;
By Kyle DarganNaturally, the gun is purchased from a farm in Virginia—pulled from a bushel of barrels
by a tremorous hand, a young man’s. His other fist proffers sweat-wilted dollars. The
farmer, compensated, keeps his gaze down as to remember nothing of the boy’s face.
By Taylor JohnsonWhen I again take out more than I have available in my bank
account and I know I shouldn’t to make the rent
I am grateful and lucky to pay there is
a woman on the bus who is the mother or aunt or some loved one of
By Darrel Alejandro HolnesIn the film, both parents are Mexicans as white as
a Gitano’s bolero sung by an indigena accompanied by the Moor’s guitar
bleached by this American continent’s celluloid in 1948
when in America the world’s colors were polarized into black & blanco.