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Ina Cariño

Graveyard Picnic

By Ina Cariño memory of magnolia on lapels. grandfather’s paper
cheeks pale, teeth whiter than frosted hibiscus.

when I visit the mausoleum, I lay a white cloth on his tomb,
mesh of cobwebs stretched across the buds
Joshua Nguyen

American Lục Bát For the End of The World [At Long Last, At Least We Have Our Language?] ...

By Joshua Nguyen To begin, let us end
this sentence with no friends or en
emies. Just wrong destin
ations to sad desks in Am-
hurst.
Rajiv Mohabir

Prayer

By Rajiv Mohabir I invite you back
dear wildness dear
unfathomable formless

Tiana Nobile

Yuri

By Tiana Nobile When you held him, how heavy was his head cradled in your lap? How long did you carry that
weight in your thighs?
Sumita Chakraborty

The B-Sides of the Golden Records, Track Two: “Sounds of Human Labor”

By Sumita Chakraborty We may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
Ashna Ali

Social Distance Theory

By Ashna Ali On an assemblage of screens on another firework evening
Ruthie Gilmore reminds us that abolition is not recitation.
Eugenia Leigh

One Year After My Dying Father and I Stop Speaking to Each Other Again

By Eugenia Leigh Someone on the internet is mourning
her dad—that old goat—with a goldmine

of anecdotes. Scraps of fondness I scrape off
her tweet—his beef wellington, her frogs. I want
Travis Chi Wing Lau

Pithy

By Travis Chi Wing Lau I shrug off my messenger onto the floor and forget to kiss you when I walk through the door.
Tamiko Beyer

Equinox

By Tamiko Beyer Dear child of the near future,
here is what I know—hawks

soar on the updraft and sparrows always
return to the seed source until they spot
George Abraham

Ode to Mennel Ibtissam singing “Hallelujah” on The Voice (France), translated in Arabic

By George Abraham maybe if , ash & smolder way the – tongue own my in never but song this heard i've
– it birthed who fire the not & gospel become can , mouth right the in seen
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