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By Cass Garison
I adore the carnations & I adore
the trains, specifically the boxcars
with endings & beginnings I can’t
keep track of, who drag their stretched
torsos like absolute creatures around
what seems like earth’s clearest curve.
By Mia S. Willis
when the state murdered a poet
none of us slept none of us deserved to
the way we stood by with pens and phones and helpless guilt
By Taylor Alyson Lewis
there once was an island love or magic resurrected
where they could go to rest and look at
each other plainly and hold one another’s
hands and play music in their cars so that
the bass reverberated through the mountains
and down into the ocean and live.
By Jasmine Reid
i spread at my touch & clit
contemplating my beauty this Monday i live
the pleasure of my fingers
how i am in-the-making by hand
by pill by needle i am the perfect girl
professor, in fact, Chemical X is my love
in gradients of acidity i am
milkless except by oats, by meal made of itself
By Farrah Fang
In Houston they don’t really call it a laundromat
It’s a washateria or la lavandería
Today you go to the one on Airline and Tidwell
The chronic pain and weakness in your body
Makes it difficult to relocate canastos of clothes
From home to your car, to the washateria, to inside the machine
By Miller Oberman
Preposition, before location. An indeclinable
word or particle. Indeclinable. That which
cannot be turned aside or shunned. Inevitable,
un-deviating. I practice a kind
of time travel. Bringing beside me
ancestors I never knew existed before,
beneath, under, towards. This travel
unimpacted by time, space or death.
By Jaden Fields
It is the steadiest “I love you”
Until the moon loses their footing in the sky
Which is to say - never
Or
I love you beyond time
Or
I love me beyond time
By féi hernandez
Simultaneously I am
alone and crowded, this…
the pulsing wound of being extinct,
whole
enough for a morning forage,
yet scant for the onlookers
of lineage,
of nation,
myths in the mulberry tree.
By Tonee Mae Moll
The font, not the nation, nor the southern state where lawmakers are folding the idea of the monster of my body into votes from folks whose homes they know are marked for flooding. I suppose I mean typeface—I’m supposed to remember the difference— like all exquisite things, we’ve got this etymology that feels apocryphal anyway. Anyway, let’s suppose I am a transitional shape.
By Jada Renée Allen
There’s a light, a certain
kind of light that has never
shone on me—
Nina’s version.
Not the Bee Gees
or even Janis Joplin,
but the way Nina
sings it, almost a plea.