gxrl gospel ii: when thrown against a sharp white background
By Aurielle MarieI always feel Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Aurielle MarieI always feel Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
By Liv MammoneThe train is a creature that moves like water.
It has no eyes, only a sharp
mouth that closes on those too slow.
By Michal 'MJ' JonesYou are [found] in
cherry blossom trees / heron bird flight /rib-
bon of night / space between stairs / rose
By Nathan SpoonYou are living inside the cup of another life. Water
is running slowly. Somewhere a hand is overflowing
with the abundance and celebration denizens dream of.
By George Abrahammaybe if , ash & smolder way the – tongue own my in never but song this heard i've
– it birthed who fire the not & gospel become can , mouth right the in seen
By Tarik DobbsChorus: Like a bridge over troubled water…
For years, settlers longingly, vertical, build over us, Starbucks has no sinks. Will we go? Lately, the bridge, their throne. When even these are somewhere to watch from, to drop a knee & propose somewhere to feel for a bank.
By Noor Ibn Najamto become earth’s sugar, to be a seedless
orange offered. to want fruit
to unwind from the concept of sex
By torrin a. greathouseThe body scanner says my name & my flesh are suspicious
abandoned baggage. A voice on the loudspeaker says to report
any & all unaccompanied luggage it could contain anything.
Clothes, or drugs, or a body folded economically. Utilitarian
origami. Voice on the speaker says trust no one, says anything
could be a threat.