Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Monica SokA daughter of survivors stands in the grass among tattered military tanks. She is the only one in her family who wants to visit the museum. Siem Reap, Cambodia. Nov 2016.
“Loud little weed eater.” A worker cuts the grass and the noise activates the scene of a battlefield.
By Samia Salibagolden shovel after karl marx, walter benjamin, richard siken, & zaina alsous
“the tradition of all dead generations weighs like a nightmare on the brains of the living”
- karl marx
in american cemeteries the dead overlap, the
hillside ostentatious in the catholic tradition.
By Noʻu RevillaWe drink this and share the same taste with you.
We mixed the kava in the parking lot, face-to-face with you.
What becomes of children who drink war instead of water?
The rubble, a chronic obituary. I will never waste a name with you.
By féi hernandezSimultaneously I am
alone and crowded, this…
the pulsing wound of being extinct,
whole
enough for a morning forage,
yet scant for the onlookers
of lineage,
of nation,
myths in the mulberry tree.
By Hazem FahmyWhen I say “a Free Palestine in our lifetime” I mean it
is your moral duty to believe the last shekel has already been printed,
its destiny a glass frame in a museum next to a dollar,
By Aliah Lavonne TighEveryone in Anatomy pairs up,
receives a small baby pig.
The scalpel shines like water or a mirror—if you look, you see
yourself: gloved hand pushing a blade to open
the other animal’s chest. Someone drops
a knife, shouts,
Clean it up. This is how we learn to
dissect a body.
By Kat AbdallahMy teachers ask me
after seven months of genocide
if I’m holding up alright.
By Issam ZinehThe grammarians are up
in arms, and the war over
the semicolon has been reignited.
Today, the legislator notes his preference
for certain kinds of killers. Those,
one might say, with a European sensibility.
By A.D. Lauren-AbunassarMy godson wanted to go look at fish but I told him, today, beauty is canceled. We cried. I felt bad. I counted the unbeautiful like broken ribs. Shrapnel in the olive tree. Child-sized tourniquet. Saint Porphyrius’ watching and weeping. My father phones to tell me they’re down to vinegar; they pour into open wounds.
By Aiya SakrOn the day of the first flour massacre,
nothing I have ever said has been untrue.
Fourteen thousand and three hundred white
PVC flags flutter in the early spring morning.
By the time I cross the lawn, the IDF have killed
another child, and another flag springs up
Like a poppy.
This simile is too easy.