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By Saúl Hernández
The day Amá stopped driving, her curls became undone,
her red manicure turned pastel pink, her throat lost the sound left in it—
when a car slammed into her, pushing it towards train tracks.
The wheels of her white Oldsmobile clenched to the tracks the way a jaw latches
on to a bite.
By Suzi F. Garcia
It is April now, with its mix of sweet and snow. I stand barefoot on an apartment patio to vape. My toes curl on themselves to fight off the cold and my legs shake under my leggings. I have been drugged officially and unofficially, some would say gone, but I can feel light in my hips as they sway to the song I’m playing in my head.
By KB Brookins
All this time I thought we needed permission
to dance. Flap our imaginary wings. Schlep
sweat on our foreheads while making up moves
in every dance scene. My people are good at
dreaming up new grooves in the time it takes
one foot to pick itself up on the soul train.
By Ina Cariño
memory of magnolia on lapels. grandfather’s paper
cheeks pale, teeth whiter than frosted hibiscus.
when I visit the mausoleum, I lay a white cloth on his tomb,
mesh of cobwebs stretched across the buds
By Joshua Nguyen
To begin, let us end
this sentence with no friends or en
emies. Just wrong destin
ations to sad desks in Am-
hurst.
By Aurielle Marie
I always feel Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
By Tiana Nobile
When you held him, how heavy was his head cradled in your lap? How long did you carry that
weight in your thighs?
By Sumita Chakraborty
We may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
By adrienne maree brown
even now
we could be happy
even now
breathing in
filling our bodies with right now
By Hayan Charara
The Arab apocalypse began around the year
of my birth, give or take—
the human apocalypse,
a few thousand years earlier.