Performativity
By Kat AbdallahMy teachers ask me
after seven months of genocide
if I’m holding up alright.
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Kat AbdallahMy teachers ask me
after seven months of genocide
if I’m holding up alright.
By Issam ZinehThe grammarians are up
in arms, and the war over
the semicolon has been reignited.
Today, the legislator notes his preference
for certain kinds of killers. Those,
one might say, with a European sensibility.
By Tonee Mae MollThe font, not the nation, nor the southern state where lawmakers are folding the idea of the monster of my body into votes from folks whose homes they know are marked for flooding. I suppose I mean typeface—I’m supposed to remember the difference— like all exquisite things, we’ve got this etymology that feels apocryphal anyway. Anyway, let’s suppose I am a transitional shape.
By Opal MooreA small bird built a secret nest
beneath my balcony. There must be
hatchlings there, out of view.
She flies back and forth, small prey
in her beak.
Some kind of wren, I think.
Small, brown and quick. No time for
singing midday. Duty
is her instinct.
By Gbenga AdesinaNorth of the country, a road led to the desert.
Dust was the first sentence. The Sahara
was a white darkness in the distance,
and beyond it the glint of a Great Lake.
We drove past fields of ginger and wild purple onions.
There was a public garden and a ring of white egrets
around still water.
By Sasa AakilThey say, Ariel could never be black.
That black folks don't have red hair and can't swim no how.
They list all the reasons we have no right to this title
and I can only think of Hasan.
Brown skin boy with hair red as fire.
Quick wit, quick smile.
Born with sunset resting atop his head like crown.
By Glenn ShaheenSomebody suggested I buy pickled
Herring in wine sauce— it didn't sound
Like a bad idea, all these conversations
Mired in capital's sloughed-off flesh.
By Sacha Marvin HodgesI have a fear
so metal
it makes traffic
By Arao Amenyin this other world
Amadou Diallo pulls out his wallet
41 bullets from three policemen recede back
into their guns like water on the coast of Guinea that crawls
and runs back to the Atlantic Ocean
each salty drop mouths a bullet and eats it whole
little fires disappear
bullets are now bubbles dancing near the mouths of fish
By Saúl HernándezThe day Amá stopped driving, her curls became undone,
her red manicure turned pastel pink, her throat lost the sound left in it—
when a car slammed into her, pushing it towards train tracks.
The wheels of her white Oldsmobile clenched to the tracks the way a jaw latches
on to a bite.