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Trevino L. Brings Plenty

[Untitled]

By Trevino L. Brings Plenty To acknowledge so-
cietal micro-systems
as a poet means I
will continue to be
emerging within an on-
slaught of the macro-
system submergence
operations.
Safia Elhillo

from GIRLS THAT NEVER DIE

By Safia Elhillo i was invented by them the women
steamed & sweating in the kitchen
soft bellies a memory of money
fallen princesses headdressed in rollers
Ching-In Chen

Lantern Letter: a Zuihitsu

By Ching-In Chen My people – I see you across street, porch people, huddled under brick archway, watching what pours from sky. Wading in water, what circuits it carries – mostly numb, small, what might feel like circuit’s end.
Laura Da’

Chains and Links

By Laura Da' I do desire—Chillicothe, Piqua, Lima
that you remain—Shawnee, Lawrence, Olathe

Wyandotte, Tecumseh—on the other side
Junction City, Fort Leavenworth, Lenexa—

of the river.
Baruch Porras-Hernandez

Ceremonias De La Superviviencia

By Baruch Porras-Hernandez at the movies my eye on the Exit sign
on the aisles the doorways the space
between the seat in front of me and my legs
how far could I crawl
before I die?
Shabnam Piryaei

nextdoor app

By Shabnam Piryaei a young man desperately buries himself under damp leaves while helicopters hunt him police laugh as he tries to hide in the foliage a neighbor with a device to eavesdrop on scanners catches this tidbit
sam sax

impermanence

By sam sax sometimes i wonder what happens to people’s hands when they disappear
in their pockets. of course, my rational brain knows they go on being hands
but there’s still the question. i wonder if object permanence isn’t the biggest
trick of them all, a scam, a way to ground the brain in its thin bath of liquid
Ely Shipley

Six

By Ely Shipley The neck of the guitar stretches
out, every other fret painted with a sharp
dot or dash, flash after flash

of reflected light, marble or pearl, the shape
of a fingerprint, ...
Tara Hardy

THE NINE

By Tara Hardy They call it dissociation.
I call it THE NINE (children)
who live inside me.
Each of them encased
in amber, frozen in a mosquito-pose
Cynthia Guardado

Waiting for a Greyhound Bus at the Los Angeles Station

By Cynthia Guardado A black woman stands with two toddlers hanging off her hips.
Her balance is perfect as she pushes her luggage with one leg,

the boys curl into her shoulders unaware of how
they all slide forward. I offer her my help. Her face is serious
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