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Aurielle Marie

gxrl gospel ii: when thrown against a sharp white background

By Aurielle Marie I always   feel  Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
Sumita Chakraborty

The B-Sides of the Golden Records, Track Two: “Sounds of Human Labor”

By Sumita Chakraborty We may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
Siaara Freeman

The Such Thing As the Ridiculous Question –

By Siaara Freeman When I say ancestors, let’s be clear:
I mean slaves. I’m talkin’ Tennessee
cotton & Louisiana suga. I mean grave dirt.
Liv Mammone

On the Subway for the First Time

By Liv Mammone The train is a creature that moves like water.
It has no eyes, only a sharp
mouth that closes on those too slow.
Zefyr Lisowski

Against Forgiveness

By Zefyr Lisowski Was not a monster— (His hands were soft)
Was not an abnormality— Was not just
“being a boy”— Had no reputation—
George Abraham

Ode to Mennel Ibtissam singing “Hallelujah” on The Voice (France), translated in Arabic

By George Abraham maybe if , ash & smolder way the – tongue own my in never but song this heard i've
– it birthed who fire the not & gospel become can , mouth right the in seen
leilani portillo

believe me

By leilani portillo when i say
the land is my
ancestor
believe me.
Azura Tyabji

Diaspora

By Azura Tyabji If the meaning of the prayer was not passed down to you,
find it through holier means than translation.
Cling to the rhythm instead.
M. Kamara

Robert E. Lee and I Have a Staring Contest

By M. Kamara And a white person says racism is dead
and a white person jokes about slavery
and a white person lives unbothered
and a white person screams about immigrants
Justice Ameer

t for t

By Justice Ameer / he asks me how it feels /
it’s no simple curiosity
nor a question without consequence
phantom of longing lingers so
subtly on the last syllable
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