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Board of Directors

Kit Bonson, Board Treasurer, is a neuroscientist in the DC area with an undergrad degree in English and psychology from the University of Iowa. She has been an activist for peace and justice and for women’s reproductive health for over 30 years. During this time, she has been invested in involving socially committed artists of many stripes into her political organizing – whether it was writers, visual artists or musicians. Most recently, she initiated a collaboration between Split This Rock and the Abortion Care Network (a national group of independent providers and prochoice supporters of which she is also a Board member) for a Prochoice Poetry Contest – now in its second year!
Regie Cabico is the Director of Split This Rock’s World & Me youth poetry contest and former Artistic Director for Sol & Soul. Cabico is a poet, playwright, and spoken word performer. He took top prizes at the 1993, 1994, and 1997 National Poetry Slams. His work appears in over 30 anthologies and he co-edited Poetry Nation: A North American Anthology of Fusion Poetry. He received a NYFA Artist Fellowship for Poetry in 1997, NYFAs in 2003 for Poetry and Performance Art, and two Brooklyn Arts Council Poetry Awards. Cabico has been a teacher for Urban Word and developed a poetry and performance program for teens with psychiatric illness at Bellevue Hospital. He received the 2006 Writers for Writers Award from Poets & Writers in recognition of his work with diverse communities.
Jennifer James is Associate Professor of English and Director of the Africana Studies Program at The George Washington University. Her first book, A Freedom Bought with Blood: African American War Literature, the Civil War-World War II (University of North Carolina Press, 2007), examines the intersections of race, gender, citizenship and embodiment within the contexts of U.S. war and imperialism. Currently, Professor James is working on two archival book projects, Black Jack: Andrew Jackson and African American Cultural Memory, which traces the history of three generations of ancestors enslaved by the President to examine how Jackson is imagined in African American culture, and The Navassa Island Riot: Black Labor Consciousness in the Gilded Age, a study of an 1889 labor riot which ultimately opens to a larger analysis of black anti-capitalist thought and pro-labor sentiment in the Gilded Age.
Susan Scheid, Board Secretary, is the author of After Enchantment (2012). Her poetry has appeared in Tidal Basin ReviewRequiemRose Red ReviewThe UnroreanBark! and the chapbook, Poetic Art. Susan is an Artist-in Residence at the Noyes School of Rhythm in Connecticut and teaches daily writing workshops for one week each summer. She lives in the Brookland neighborhood of Washington, DC, where she has been a community organizer for thirty years, helping to open a community-owned grocery and served on its board of directors. Susan has a B.A. in Anthropology from Catholic University.
Sonya Renee Taylor is an award-winning poet and activist. Founder of The Body is Not An Apology and the creator of the RUHCUS Project, her poetry appears in numerous journals and anthologies including Spoken Word Revolution:Redux, Growing Up Girl, Off Our Backs, Beltway Quarterly, Just Like A Girl, X Magazine and On the Issues Magazine. Her first collection of poetry, A Little Truth on Your Shirt was released by GirlChild Press in 2010. Sonya’s work has been translated into Dutch, Swedish and German, used as curriculum in universities across the country and abroad, and as a tool for community and national action for organizations such as the Black AIDS Institute, HIV Campus Education, and Gloria Steinem’s reproductive rights organization, Choice USA. For more, visit
Dan VeraBoard Chair, is a writer, editor, and literary historian living in Washington, DC. He is the author of the two poetry collections Speaking Wiri Wiri (Red Hen, 2013), inaugural winner of the Letras Latinas/Red Hen Poetry Prize, and The Space Between Our Danger and Delight (Beothuk Books, 2008). His poetry has appeared in various journals including Notre Dame ReviewBeltway PoetryDelaware Poetry ReviewGargoyle,and Little Patuxent Review, the anthologies Divining DivasFull Moon On K Street, and DC Poets Against the War. He edits the gay culture journal White Crane and co-created the literary history site, DC Writers’ Homes. For more, visit